Under the control of moonbats, museums are destroying not only our past but our present, by indoctrinating us to hate ourselves. Lindsay Shepherd shelled out $30 and bravely endured the Vancouver Art Gallery’s Conceptions of White exhibit:

The first thing to catch your eye is the giant phrase on the wall that reads, “When you’re the problem, we’re the solution.” The text is accompanied by a large headshot of a white male.

Tablets allow visitors to interact with an AI program:

“Stop talking. Never share an uninvited opinion again,” text on the wall reads. When you look into the tablet, a mute symbol is superimposed over your mouth.

“Check privilege. Learn whether you’re special or just lucky,” the text reads. Upon looking into the tablet, a halo that says “Undeserving” appears over your head.

It is unclear whether the AI knows the visitor is white or just assumes that only a self-hating white liberal would attend the exhibit.

“Get curious. Vocalize your own ignorance.”

The tablet prompts me to say aloud, “I know nothing.”

Now back to waging war on our history:

I walked by some schizophrenic ramblings and pictures on the wall about how because statues from Ancient Rome and Greece had curly hair, they were probably not white people.

After our history has been erased, liberal social engineers will replace it with their own version, as outlined in 15-foot-long timeline labeled, “An incomplete timeline of the circumstances that influenced the emergence – and evolution – of White racial identity.”

I learned that as a white Canadian born in the mid-1990s, my identity is defined by slavery, scientific racism, Rudyard Kipling’s 1899 poem “The White Man’s Burden,” colonialism, the Ku Klux Klan, the Third Reich, the “alt-right,” and Robin DiAngelo’s book White Fragility: Why It’s So Hard for White People to Talk About Racism.

The last items in the timeline of white terribleness were “2013: Black Lives Matter founded” and “2021: January 6 Insurrection.”

This confirms that the unscheduled tour of the People’s House is among the most significant dates in human history from the viewpoint of moonbats.

The final installation was a short film that purported to be about reflecting the “current state of White identity in America.”

What followed was a 30-minute compilation of internet meme videos spliced with scenes of racial violence, guns, and creepy staring.

As we learned in the Nazi days, ideologies grounded in race hate do not end well.

On tips from Barry A.

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