During the slave revolt against the French that created perpetually dysfunctional Haiti, white babies were reportedly held aloft by rioting mobs on pikes. Centuries later, thanks to unrestricted immigration, the revolution has come home.

From Résistance Républicaine, via Allah’s Willing Executioners:

A black woman stands on the stage, in her hands a long metal rod from which dozens of white baby dolls hang – pierced, partly naked, partly in rompers. What sounds like a Satanist ritual is part of a theatre performance at the Avignon Festival in France. It is supposed to address the “hypersexualisation” and “exoticisation” of black women’s bodies by white men and to bring “decolonisation” to the stage.

In case anyone was wondering what “decolonization” means, here is a visual definition:

Art imitates life, which will soon imitate art, like a pair of facing mirrors.

On a tip from Gringoman.

One Response to “Skewered White Babies as Art in Colonized France”

1. Skewered White Babies as Art in Colonized France – Whatfinger Community says:

   July 28, 2023 at 7:38 am

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