The purpose of modern art is to demoralize through meaninglessness and hideousness. Our moonbat rulers strive to marginalize the native population in favor of colonists from the Third World. So the next artwork to be unveiled on the Fourth Plinth at Trafalgar Square — said to be “one of the UK’s most important platforms for contemporary art” — will come as no surprise:

Lady in Blue is a sculpture of a black woman with abstract proportions, including strangely long arms and very pronounced buttocks and legs. Artist Tschabalala Self said the piece pays “homage to a young, metropolitan woman of color” in a statement obtained by the Art Newspaper.

Self, an American from New York City, has enjoyed “meteoric success with her distinctive works depicting black and predominantly female figures,” the publication reported in 2020.

Self’s conspicuous lack of talent is irrelevant. She is racially and thematically correct.

This is what currently passes for art:

This abomination represents a natural progression:

The new sculpture is set to replace the Antelope, a depiction of African anti-colonialist preacher John Chilembwe and his British missionary friend, John Chorley, in what is now the country of Malawi.

When art was great, its objective was to lift us up. Now, its objective is to crush us down.

On tips from ABC of the ANC and Franco.

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