Hollywood Excretes Pro-Marxist Animal Farm

George Orwell’s allegory Animal Farm warned generations of readers of the corrupt tyranny that inevitably follows Marxist revolutions. Like everything else liberals get their hands on, it has been subverted. Hollyweird just released an animated version that incredibly enough is anti-capitalist — that is, pro-communist.

Via GB News:

The CGI adaptation, which took 14 years to complete… shifts its focus away from Mr Orwell’s 1945 critique of Soviet-style authoritarianism.

Instead, the film takes aim at capitalism and corporate greed, introducing a wealthy antagonist not present in the original text.

Remarks Rafe Heydel-Mankoo:

“Bizarre and depressing. But what can one expect from a progressive Hollywood that openly embraces socialism. Animal Farm’s themes and warnings have arguably never been more pertinent to the West than today.”

Maybe Orwell would appreciate the irony. As noted at Hot Air:

Orwell famously warned that totalitarians seize control of history, and hence reality itself, to impose their will. Totalitarianism relies on force to keep people in line, but what distinguishes it from mere authoritarianism is that it aims to control not just the bodies of its subjects but their minds.

The movie clearly aims to indoctrinate children, who won’t understand that the story has been turned on its head:

Nothing is sacred to moonbats except moonbattery.

On a tip from abcanc.

Netflix Challenges Patriarchy With Transsexual Coal Miner

Netflix’s pending takeover of Warner Bros. Discovery’s Streaming & Studios division is ominous, given that this could provide a near-monopoly in video entertainment to a company that stands out as aggressively left-wing even in a field overwhelmingly dominated by degenerate moonbats. For an idea of what Netflix has been ramming down viewers’ throats, consider its upcoming film Queen of Coal, featuring a transgender coal miner.

From Fox News:

The description for the film reads, “A trans woman dreams of working the coal mines — but in a town steeped in superstition and patriarchy, Carlita must fight to earn her [sic] place underground.”

How better to fight the patriarchy than to have a guy pretend to be a woman while working in a coal mine?

These days, truth is strange enough to serve as a basis for even the most ridiculous fiction:

The story is based on the true story of Carla Antonella “Carlita” Rodríguez, the first transgender woman miner in Río Turbio, Argentina…

It is an age of historic milestones.

Unsurprisingly, Señor Rodríguez disapproves of the highly esteemed countermoonbat Javier Milei, who has pulled Argentina out of an 80-year tailspin:

“The government is destroying the country from within by defunding public policies. I think we need to look more closely and become a little more humane, supporting the people who are really suffering.”

Presumably this should include special handouts to transsexual coal miners.

Less humorous than the cross-dressing coal-mining patriarchy challenger is Netflix’s sinister focus on corrupting children:

A campaign to cancel Netflix resurfaced earlier this year after online influencers highlighted a series of pro-transgender content for children available on the streaming platform.

Another Netflix series promotes homosexuality in the military, provoking the anger of the Pentagon.

Libs of TikTok offers sound advice:

On a tip from Steve T.

South Park Craps in Hand, Throws It at Pete Hegseth

Pete Hegseth has done an admirable job, restoring standards and respect for the US military after Democrats had been reducing it to a social engineering lab focused on promoting DEI and sexual psychosis. For this, the liberal establishment punishes him:

Comedy Central animated series South Park took aim at President Donald Trump’s Secretary of War Pete Hegseth Wednesday, calling him a “douchebag,” in an episode that aired on the same day that two National Guard members were gunned down by a radicalized Afghan migrant in Washington D.C.

Other liberals actually blame Hegseth for this act of terror.

The cartoon characterizes Hegseth as obsessed with creating online content:

Along those lines, Trump calls Hegseth and warns him not to keep “making content,” but to “actually go do something.” And as Trump is hanging up the phone, he is heard saying, “God, he is such a douchebag.”

Hegseth is subjected to wildly unfair ridicule throughout the episode. At one point he is accused of being “like a little teenage girl.”

The episode also takes shots at Homeland Security Secretary Kristi Noem who also shows up to help plan the “invasion” of South Park.

Moonbats hate Kristi Noem primarily for her admirable role in stopping the largest foreign invasion in human history. So it figures they would accuse her of plotting an invasion.

Alarmingly, there are people who get their opinions from the foolish garbage on Comedy Central. No wonder TDS has become an epidemic among liberals.

On a tip from Wiggins.

Robin Hood’s Second-in-Command Little John Was Now Black

Never mind preserving a cultural treasure like the story of Robin Hood. Never mind entertaining the audience by letting it suspend disbelief. Where moonbats have control, all other objectives are subordinated to the liberal agenda. This prominently includes the progressive eradication of Europeans from not only the future but the past:

That there were virtually no blacks in Britain until liberals recently started importing them is a fact currently undergoing erasure.

On a tip from Steve T.

The Holocaust as a Subject of Comedy

Maybe accusing Jews of “genocide” for defending themselves from Muslim terrorists who want to exterminate them did not sufficiently desecrate the memory of the Holocaust. Maybe the world needed Slam Frank:

A new musical in New York City has ignited fierce backlash for reimagining Holocaust victim Anne Frank as a pansexual Latina hiding from the Nazi occupation with her neurodiverse family and a non-binary love interest.

These days it isn’t always easy to tell, but the play is parody.

The production, titled Slam Frank, is a satirical play that exaggerates current cultural trends around inclusivity and identity politics, applying them to one of history’s most tragic stories to critique how performative ‘wokeness’ can distort storytelling.

The show began as a viral Instagram parody by Jewish composer Andrew Fox, who joked about creating a production to make ‘Latinx girlies feel included in the Holocaust.’

No doubt Anne Frank would have rolled on the floor with laughter.

The video spawned a full production built around a play-within-a-play conceit: a fictional theatre troupe trying to ‘decolonize’ Anne Frank’s story.

From there, the humor spirals into absurdity as characters discover new marginalized identities in musical numbers, swap yellow stars for pronoun pins, and even commune with ancestors lost at border crossings.

As intended, the over-the-top tastelessness has both filled seats and provoked outrage.

No doubt those involved congratulate themselves on their daring. But Slam Frank being staged indicates that making light of the Holocaust is no longer off limits, as Jews are no longer a designated victim group. If they want to be daring for real, they should stage a lighthearted romp poking fun at lynched blacks in the antebellum South.

On a tip from Wiggins.

Ice Cube Crew Bus Torched Apparently by Antifa

What goes around comes around. Even the most obnoxious purveyors of moonbattery are subject to the rising tide of moonbat violence.

From Portland, stronghold of witless Antifa terrorists:

Radical anarchists reportedly firebombed the tour bus of rapper Ice Cube, apparently confusing it for an ICE deportation vehicle.

Ice Cube says it was a crew bus.

The fire occurred early Tuesday morning, September 23, 2025, shortly after Ice Cube’s performance at the Moda Center on his “Truth to Power: 4 Decades of Attitude Tour.”

A typical sample of this attitude is the song “Black Korea,” in which Ice Cube encourages his listeners to burn down stores owned by Koreans.

Authorities are still investigating who carried out the attack. But given Portland’s history, many believe the culprits are the same radical protest networks that have long targeted ICE facilities, federal buildings, and even local businesses.

Ice Cube is past his expiration date, but maybe it is not too late for him to learn from a taste of his own medicine.

On tips from Wiggins and seaoh.

Global Warming Hoax: The Musical

Whatever moonbats infiltrate, they subvert on behalf of their totalitarian ideology. Where they hold sway, musicals aren’t about music; they are about moonbattery:

Climate change might not be the first thing that comes to mind to break out into song and dance about — but it’s the theme of a new youth-led musical called Dear Everything. The show hits the stage on Sunday at the Miami Beach Bandshell, with the aim of inspiring action through music and storytelling. …

It centers on a struggling farmer and her daughter, who is consumed by fears of climate change. The daughter finds peace in a beloved town-owned forest – that is, until a corporation threatens to buy and destroy it.

Corporations are mean to the climate. That’s why we need socialism. When we achieve it, the weather will be perfect all the time.

The author calls herself “V.” Some might remember her as Eve Ensler, author of The Vagina Monologues.

Feminism is passé, now that it has been subordinated to transsexualism. So Ensler jumped to climate hysteria. But that has been wearing thin too. To stay at the vanguard of liberalism, she ought to do a play extolling the virtues of Hamas or promoting the assassination of conservatives.

On a tip from Mike B.