The entertainment industry deliberately targets children for emersion in sexual depravity.

Consider Disney, the whole purpose of which is to provide entertainment for kids. Transsexualism has been ruining children’s lives, resulting in psychiatric disorientation and chemical castration and setting them on course for sex change surgery and ruined lives. Employees at the Epcot theme park will promote it by wearing pronoun pins:

The initiative is first being rolled out for the custodial department, before it moves to every department at the park, employees said.

This is in keeping with the Disney agenda:

As Breitbart News reported, Disney along with Netflix put out more LGBTQ content than any other studio in Hollywood in 2022, according to a GLAAD report. …

In the past two years, Disney has fought Florida over its anti-grooming Parental Rights in Education law, created multiple transgender characters for its children’s shows, put gay characters at the center of its big-budget movies, and even launched an LGBTQ-themed apparel line.

Disney preps kids for the hardcore defilement the music industry has in store for them as they approach adolescence.

Macy’s Thanksgiving Day Parade has featured Kim Petras, a role model presented to youth by liberal cultural engineers. His focus on promoting degeneracy is not subtle:

Petras, the transgender German pop star, said he wants his gay fans to engage in sex during performances of his current concert tour, where children as young as eight are allowed to attend.

In a recent conversation published in Interview magazine, Kim Petras — who is a man but identifies as a woman — acknowledges that lewd and pornographic acts are taking place in full view.

“There’s definitely gay sex happening, which is lit,” Petras said. “In the crowd, and that’s the goal.”

Petras is going on a tour through the USA and Europe:

“And if you look at the show, it’s kind of inspired by Dante’s Inferno and the different levels of hell,” the singer said.

The innermost level of hell, deserving of Satan’s worst torments, is the destination of a society that tolerates companies like Disney and entertainers like Petras.

On tips from Barry A.

As a special service to masochists, here’s a chance to be lectured on tolerance by a supercilious moonbat so bigoted that if regular Americans take control of the White House away from her fellow liberal elitists, she will deem the USA unfit to live in:

Give her credit for originality. This may be the first time anyone has described the cognitively challenged Joe Biden as “smart.”

If only Babs were not completely full of crap like everyone else at her lofty stratum of society, we might take her at her word and beg her to take Colbert with her when she leaves.

On a tip from Wiggins.

In case you thought nothing could lower your opinion of Hollyweirdos:

Dozens of Hollywood actors and artists, including comedian Jon Stewart and Oscar-winning actor Joaquin Phoenix, wrote on Friday to U.S. President Joe Biden, urging him to press for a ceasefire in Israel and Gaza.

“Ceasefire” in the aftermath of a massive terror attack that killed 1,400 people is Euphemese for “surrender.”

“History is watching,” bark the sanctimonious, self-important moonbats. History won’t like what it sees when it looks back on Tinseltown and its corrosive effect on American culture.

These names won’t surprise anyone:

The nearly 60 signatories included Susan Sarandon, Kristen Stewart, Quinta Brunson, Ramy Youssef, Riz Ahmed and Mahershala Ali, among others.

“Humanitarian aid must be allowed to reach them (Gazans),” the letter said.

“Humanitarian aid” entails cash rewards for Hamas. Jon Stewart et al. needn’t worry; Joe Biden has already pledged $100 million in blood money to reward the attack.

For context:

A woman named Shari, who did not want to give her last name because she wanted to protect her family, works in the Israel Defense Forces (IDF) Rabbinate corps and it is her job to clean the victim’s bodies as best as possible to prepare them for burial.

She describes what she has witnessed:

“There is evidence of mass rape so brutal that they broke their victims’ pelvis – women, grandmothers, children. …

“People whose heads have been cut off. Women standing in their night dresses woken up and shot. Faces blasted off. Heads smashed and their brains spilling out,” she said. “A baby was cut out of a pregnant woman and beheaded and then the mother was beheaded.”

“Women and children burned to charcoal. Bodies murdered with their hands tied behind their backs,” she continued.

Reports Colonel Rabbi Haim Weisberg,

“We have babies with their heads cut off. Bodies without hands, without legs, without genitals.”

Small children were tortured and mutilated in front of their parents and vice versa.

Hollyweirdos side with this against Western Civilization. That’s the thanks they offer society for making them rich and famous.

Jon Stewart (real name Jonathan Stuart Leibowitz) is conspicuously Jewish. But he is hardly the only Jew to favor Jewish extermination in the name of moonbat posturing.

Next after Jews come other non-Muslims.

On a tip from Bluto.

We have come to a pretty pass when a guy famous for wearing eye makeup who calls himself Alice is the voice of sanity on gender issues:

Alice Cooper, the eye-liner wearing “Godfather of Shock Rock,” was dumped by a cosmetics company after the singer questioned the rush to perform trans surgeries on kids and said that transitioning genders was a “fad.”

We are not allowed to call this fad a fad, nor are we allowed to object to children having their bodies and the lives ruined so that they can be transformed into freakish facsimiles of the opposite sex on behalf of the LGBT agenda. Consequently, Cooper must be punished. Cancelation of his 2-week-old partnership with Vampyre Cosmetics is only the beginning. No one can be permitted to make such a pageant of thoughtcrime as this:

“I find it wrong when you’ve got a six-year-old kid who has no idea. He just wants to play, and you’re confusing him telling him, ‘Yeah, you’re a boy, but you could be a girl if you want to be.’”

“I think that’s so confusing to a kid. It’s even confusing to a teenager,” Cooper continued. “You’re still trying to find your identity, and yet here’s this thing going on, saying, ‘Yeah, but you can be anything you want. You can be a cat if you want to be.’ I mean, if you identify as a tree. … And I’m going, ‘Come on! What are we in, a Kurt Vonnegut novel?’ It’s so absurd, that it’s gone now to the point of absurdity.”

He even went beyond LGBTism to attack the Newspeak Dictionary and moonbattery in general:

“Who’s making the rules? Is there a building somewhere in New York where people sit down every day and say, ‘Okay, we can’t say ‘mother’ now. We have to say ‘birthing person.’ Get that out on the wire right now’?” …

Cooper called the woke movement “laughable” at this point, noting that few people agree with the extreme ideas that woke people support.

That’s why these ideas have to be imposed by force, and why Alice Cooper — who also stands guilty of being Christian — may face cancelation by the entertainment establishment. There are worse things.

If you are going to be an aging rocker who speaks up about America’s transsexualization by social engineers, be one with character like Alice Cooper, not a sniveling coward like Paul Stanley or Carlos Santana:

Santana issued an apology this week after a clip of him went viral from a concert where he said, “A woman is a woman and a man is a man. That’s it.”

These days you need a spine to state an indisputable tautological fact and stand by it. Santana proved not to have one after the “marginalized” no doubt read him the riot act.

“I am sorry for my insensitive comments,” the 76-year-old guitarist said in a post on social media. “They don’t reflect that I want to honor and respect all person’s ideals and beliefs. I realize that what I said hurt people and that was not my intent. I sincerely apologize to the transgender community and everyone I offended.”

Please crawl in a hole and die.

On tips from Varla, Bluto, and Wiggins.

There is an easy way to determine whether a publication is for real or a mouthpiece for the liberal establishment. See what it has to say about Oliver Anthony. Rolling Stone and National Review tip their hands by putting him down. Christianity Today vilifies Oliver Anthony for failing to worship the welfare state — the day after praising the tawdry moonbat goddesses presented to us by the entertainment industry.

Compare these titles:

Revere vapid moonbat pop stars and lap up the idiotic leftist sludge oozing out of Tinseltown. Shun Oliver Anthony. Otherwise you ain’t Christian, as Joe Biden might put it.

The money-changers have taken over the temple. Joel Abbott isn’t liking it:

Christianity Today wants you to know that Taylor Swift – the avatar of the sexually liberated, unmarried, childless modern woman – and the “Barbie” film, with its direct feminist messages of women freeing themselves from the Patriarchy, are “bringing us together.” …

[T]he flagship Christian publication of the Western world (called “Christendom” in olden times) is out here stumping for vain, prideful women who have made sex and beauty their gods and have in turn become godlike symbols for millions of women seeking their own “liberated” selves.

“Liberation” in this sense is a synonym for “shallow self-indulgence.”

Anthony credits God for his success, kicked off his first public performance since his discovery by reading Psalm 37, and rejects greed and egomaniacal narcissism in favor of the humility that makes genuine Christians so much more fun to be around than moonbats.

In contrast, nothing could be less Christian than the liberal establishment, including ostensibly Christian institutions that have been subverted to serve moonbattery.

Real people have reacted differently. That’s why “Rich Men North of Richmond” now tops the iTunes global charts.

Sometimes it feels like you’re living in the aftermath of Invasion of the Body Snatchers, and everyone out there is a soulless pod person. But it isn’t true. Here’s how you know:

Both the Rolling Stone and National Review wings of the liberal establishment have told us how to react to Oliver Anthony. But people aren’t following orders:

Anthony had better be ready; the ruling class will try to take him down. He is regarded as a threat for good reason.

On tips from Varla and Anonymous.

Since Disney started out producing cartoons, it makes sense that it is not merely evil but cartoonishly evil — even if Pauline will be a live action show:

Disney has announced a new German original series for Disney+ called “Pauline”, which is about, an 18-year-old teenager, who accidentally becomes pregnant – from a one-night stand. With school stress, the climate crisis and the downfall of society weighing heavily on her mind, something she doesn’t need at all right now is catching feelings, especially not for her one-night stand Lukas, who, as it turns out, is the devil himself.

Effuse the producers:

“For a long time, the series has been and still remains a project very close to our hearts. We’re thrilled that Disney+ loves this coming-of-age story as much as we do and that we’ve now been able to begin filming…”

Children may have to go to the art museum to conjure demons, but Disney offers them the opportunity to celebrate Satan in the comfort of home.

Gasps Jonathon Van Maren:

Disney, which for over half a century has been the undisputed champion of children’s content, will be featuring a show on a young teenage girl who gets pregnant after a one-night stand with Satan. … How did we get to a moment in culture – if that’s still the right word – where a teen girl literally copulating with Satan pitched, written, shot, produced, and then picked up by a company that markets its content to children?

By failing to push back against leftists is how. Our resistance is the only limit to their sickness.

On a tip from ABC of the ANC.

Melissa Jefferson — a.k.a. Lizzo — personifies the abomination that is presented to us as our culture almost as perfectly as Joe Biden represents the corrupt gerontocracy. Three backup dancers are suing her for personifying it too well:

While on a concert trip with the Grammy Award-winning artist to Amsterdam in February 2023, the plaintiffs claim Lizzo invited them for a night out on the town — which ended in the city’s red light district.

At this point we cross into X-rated terrain:

The lawsuit states, “… things quickly got out of hand. Lizzo began inviting cast members to take turns touching the nude performers, catching dildos launched from the performers’ vaginas, and eating bananas protruding from the performers’ vaginas.”

The dancers were allegedly pressured to comply.

More surprisingly, Lizzo is accused of fat-shaming her dancers, despite having made a career out of grotesquely displaying her own morbid obesity.

It gets more surprising still. The dance team captain, Shirlene Quigley, is also named in the suit:

Quigley is accused of allegedly pushing her Christian beliefs onto dancers and “oversharing her masturbatory habits and sex life with her husband” with the team…

No word on what church Quigley attends. I’m guessing Presbyterian.

On tips from Steven S, KirklesWorth, and Steve T.

Jason Aldean has taken a stand for community cohesion and basic decency. In response, the liberal establishment has been trying to destroy him. Ultra-woke CMT canceled his hit song “Try That in a Small Town,” which cultural gatekeepers denounced as racist because it sides with regular Americans against BLM/Antifa rioters. The media’s specialty is characterizing villains as heroes and vice versa on behalf of the leftist agenda, but Aldean is not an easy case, because no well-meaning person could oppose his viewpoint. One propagandist became so desperate to discredit his fan base that even as the country guffawed at Carlee Russell, she pulled off what looks like a hate hoax.

From Wisconsin:

A TMJ4 reporter was “left humiliated” while reporting from Country Thunder’s opening night in Twin Lakes Thursday after being yelled at and subjected to a racist slur.

Uncoincidentally, Jason Aldean played “Try That in a Small Town” at the Country Thunder festival, though not that same night.

Taylor Lumpkin, a Black multimedia journalist for WTMJ-TV (Channel 4) since 2020, tweeted Thursday night that “a guy ran up and yelled at me (unprovoked), and called me a N***** twice. No one helped. Everyone stared at me, and laughed.

“Do better people,” the tweet said.

The aptly named Lumpkin proved herself a true modern journalist by making herself the story. Her tweet has racked up 1.3 million views.

Naturally liberals are fawning self-righteously over how oppressed she is. The Milwaukee Journal Sentinel squawks piously about the “core commitment to equity, diversity and inclusion” that likely put her in her job. She ought to set up a GoFundMe page.

Have a bucket handy as you brace for her follow-up:

Please. With apologies to talented black journalists who deserve their positions, everyone with access to a television who knows that blacks make up only 13% of the population also knows that the Powers That Be bend over backward to place them in front of cameras. Being a left-wing Woman of Color obviates the need for other qualifications, as Kamala Harris and Ketanji Brown Jackson comically confirm.

The improbable incident may earn Lumpkin a promotion, but it also earns her a spot on the Hate Hoax List.

On tips from Dave F and Todd Burgess.

Sound of Freedom exposes other movies that have come out over the past several decades as popcorn by comparison. Cultural gatekeepers are willing to make fools of themselves to trash it. They want us to watch woke vacuous crap like Barbie instead.

In part, this is because the Powers That Be want a public shallow and stupid enough to consent to their rule.

In part, it is because the producers of Sound of Freedom proved that you can make a great movie by circumventing Hollywood. It may be the only way to make one.

Mainly, it is because Sound of Freedom forcefully brings home the reality of the struggle between good and evil. The liberal establishment opposes this, because evil flourishes in the darkness. That’s why Bloomberg published an attack piece written by an actual child rape advocate.

Presenting America’s ruling party:

Stacie Marie Laughton is America’s Historic First Transgender-Identifying Former State Lawmaker to Be Arrested for Distributing Child Pornography. He was presumably put in power specifically for embodying the ideology of the ruling class, which has increasingly focused on promoting sexual perversion. This outweighed already being a convicted felon when he was elected.

Chilling details have emerged on how Laughton acquired child porn with the help of an accomplice working at a daycare center:

Laughton, 39, of Nashua, N.H., was referred to as “PERSON 1” in the federal criminal complaint against Lindsay Groves, 38, of Hudson, N.H., who was charged last month with taking pornographic images of children at the Creative Minds daycare in Tyngsboro, where she worked.

“I want to do this with you with one of my kids,” Groves allegedly texted her former romantic partner — who has now been identified as Laughton following Tuesday’s federal complaint filing — the afternoon of June 14 alongside a picture of a prepubescent boy with a focus on his genitals. “I took that picture a couple minutes ago.”

Laughton allegedly responded to that text with “I also need to be honest I mean yes that picture was hot of that little boy but you probably have gotten the picture by now that I prefer little girls (sic), but he is cute,” and allegedly requested that Groves to touch the little boy inappropriately. …

The feds say the messages included at least four sexually explicit images of children appearing to be between 3 and 5 years old, and lots of sex chatter about hooking up with each other and others, including children.

We can only assume that he was elected to the state legislature for the same reason the conspicuously incompetent Pete Buttigieg is the Secretary of Transportation: out of reverence for his warped sexual proclivities. Voters didn’t know just how warped, but they did know that no one should be judged for whom they love.

If it feels good, do it — right? Or maybe liberals have a deeper moral creed that I am unaware of. Let’s ask James Gordon Meek, a former ABC News producer who was nominated for an Emmy five times as a reporter. Someone that well entrenched in the liberal establishment ought to be able to help us:

According to the DOJ, Meek was visiting South Carolina in February 2020 from his home in Virginia when he sent and received disturbing images and videos that depicted minors engaged in sexual activity with adults.

He allegedly discussed in detail his sexual interests in children during conversations on a smart phone while using a chat application.

Files found on the phone reportedly included images and videos of prepubescent children and at least one file that depicted an infant being raped.

You could call this anecdotal — or you could call it symptomatic.

It isn’t just academia, Hollywood, and the upper echelon liberal elitists who visited Jeffrey Epstein’s Pedophile Island. The degenerate ruling class is rotten to the core. This rot is the perfect soil for evil to grow.

Where else would progressives progress to next after transsexualizing children if not to raping them? By shining a klieg light on this issue and providing moral clarity, Sound of Freedom impedes the agenda.

On tips from Barry A, ABC of the ANC, Ronin, and Ed McAninch.

As with NASCAR, CMT is an organization run by moonbats for a fan base of countermoonbats. In April, this resulted in a CMT award show designed to disgust its audience. Now CMT has suppressed a song by Jason Aldean for not complying with liberal establishment ideology:

Aldean defended his new song and video after CMT pulled it from airwaves Tuesday as his new hit, ‘Try That in a Small Town’ caused a frenzy among liberals who described it as ‘pro-lynching.’

Suggesting that decent people would protect their property, their towns, and each other from roving mobs of violent scum is now “pro-lynching.” When the next wave of riots is unleashed on some preposterous pretext (e.g., a career criminal dying of a fentanyl overdose while resisting arrest), we are expected to sit back and take it.

Both the lyrics and the video, which interlaced clips of BLM protestors vandalizing cities with lines endorsing traditional values and ‘taking care of our own,’ have caused outrage online.

Like all things woke, the weaponized outrage is contrived. As Aldean points out:

“There is not a single lyric in the song that references race or points to it – and there isn’t a single video clip that isn’t real news footage – and while I can try and respect others to have their own interpretation of a song with music – this one goes too far.”

The supposedly controversial lyrics start this way:

Sucker punch somebody on a sidewalk
Carjack an old lady at a red light
Pull a gun on the owner of a liquor store
Ya think it’s cool, well, act a fool if ya like
Cuss out a cop, spit in his face
Stomp on the flag and light it up
Yeah, ya think you’re tough

The chorus:

Well, try that in a small town
See how far ya make it down the road
‘Round here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Here is the part that really triggered liberals:

Got a gun that my granddad gave me
They say one day they’re gonna round up
Well, that sh** might fly in the city, good luck

There is no reason entertainment has to be corrosive degenerate filth. Americans will like this as much as moonbats hate it:

That’s what the cultural gatekeepers feel we should not be allowed to see. Fortunately, as Sound of Freedom has been demonstrating, the cultural gatekeepers can be sidestepped.

On tips from Franco and Occam’s Stubble.

The liberal establishment’s hostility to the movie Sound of Freedom has been ferocious. Propagandists have even hauled out what they regard as their biggest gun, absurdly attempting to link it to January 6 by calling it “QAnon adjacent.”

At first this seemed to be a defensive reaction against proof that successful movies can be made outside progressive Hollyweird. However, the subject matter bothers the liberal establishment even more.

Exposing pedophilia and child trafficking is taboo. Why would that be? Noah Berlatsky offers a clue:

Berlatsky’s latest criticism of the drama focusing on the grave yet glossed over issue of child trafficking lambasted the movie with vitriolic scorn for perpetuating dangerous tropes, whilst he himself turned to the truly tired trope of accusing the movie of packaging together various QAnon conspiracy theories and being a movie made for alt-right boomers. There’s just one problem…Berlatsky has a sordid history of advocating for the normalization of pedophilia.

In 2021, Berlatsky was named the communications director at Prostasia, a non-profit organization which has dedicates itself to a self-avowed mission of protecting children from sexual abuse.

Those who have seen what LGBT advocates do to “protect” children they proclaim to be transsexual — up to and including genital mutilation — can guess what “protecting children from sexual abuse” means in this context.

It means raping them.

If there’s any doubt about Prostasia’s pro-pedophilia stance, the organization literally facilitates a safe space for pedophiles, which it has dubbed its MAP Support Club Partnership.

“MAPs” (minor-attracted persons) is what progressives call pedophiles in an attempt to normalize their crimes against children and against decency. Social engineers ostensibly mainstreamed homosexuality and even transsexuality virtually overnight. Pedophilia is next on the agenda.

This isn’t the first time Berlatsky attacked a movie for threatening to expose the child sex industry:

In 2016, he published a piece titled Child Sex Workers’ Biggest Threat: The Police with The New Republic. In the article, Berlatsky takes aim at the 2012 film Eden which is another drama centered around exposing the grim realities of child sex abuse.

Berlatsky took the position that children should be free to work in the sex industry.

On social media, he has made a pageant of his support for the sexual abuse of children:

A noted supporter of “trans-kids”, Berlatsky’s history of perverted tweets also takes aim at the relationship between parents and their children, a cornerstone of the transgender movement which seeks to obscure its brainwashing children into gender dysphoria with a cacophony of language designed by groomers.

Unsurprisingly, his Twitter account is now private. However, ZeroHedge has screenshots of the receipts.

The objective of Prostasia is to establish pedophiles as “marginalized,” like homosexuals and transvestites, with all the privileges and superior legal status that entails. As noted here the last time Berlatsky came to our attention,

If you have anything negative to say about pedophiles, get it off your chest now. In a few years, such talk will be forbidden, on pain of losing your job. We don’t tolerate homophobes; why should we tolerate pedophobes? Remember, all must be revered for who and how they love, so long as they don’t indulge in anything unwoke like heteronormativity.

Berlatsky extols the allegedly positive impact of pornography on children, and denounces parents as “an oppressive class, like rich people or white people.” Like many moonbats, he is a sick freak. He serves well as the personification of our cultural gatekeepers.

Those gatekeepers are failing where Sound of Freedom is concerned:

People understand that if the liberal establishment does not want you to watch something, you need to watch it.

On tips from Bluto and MrRightWingDave.

To erase American society, moonbats pervert cultural landmarks, turning everything upside down and inside out until it is unrecognizable. For example, the social engineers running Disney are remaking Snow White and the Seven Dwarves. In the new version, Snow White isn’t white and only one of the dwarves is a dwarf:

If only Disney would stop reinforcing the stereotype of the entertainment industry as relentlessly, insufferably, suffocatingly woke.

Despite all the pointless remakes, not everything out of Disney is a sneering deconstruction of something created by better people in a better time. Here’s some new fiction from the most fantastic reaches of Never-Never Land:

Bet you never heard that from Walt Disney.

It is Bob Iger’s lie that is not only inaccurate but preposterous, or he wouldn’t have to tell it. Not the Bee has the receipts.

More receipts:

• Disney Announces LGBT Clothing Line for Children

• Disney Embraces Evil

• Disney Employees Busted for Child Molestation

• Disney’s Degenerate Business Model

• Gay Teen Animated Movie Strange World Is Bombing

• More Child-Grooming Sickness From Disney

• Woke Disney Bomb “Asked Too Much of the Audience”

• Wokefied Disney’s Conception of a Fairy Godmother

If you value children’s innocence, do not let them near anything excreted recently by Disney. These people are sick:

On tips from Occam’s Stubble, Mr. Freemarket, and Wiggins.

You have probably noticed that the uninteresting sludge excreted by Hollyweird these days is more for propaganda than entertainment. This is confirmed by the 4-day Hollywood Climate Summit, at which actors, directors, and writers are currently conspiring to project more climate ideology onto the silver screen.

Where better to read about summits than at Summit News:

“Hollywood is an extremely powerful industry,” said summit co-founder and TV writer Ali Weinstein, adding “We are on the precipice of cultural change in many ways.”

The consequences of not stepping back from this precipice would be cataclysmic. Tinseltown wants to push us over it.

The summit organisers complain that there isn’t enough propaganda in movies and TV shows currently and this needs to change.

“We see this as a huge problem because, for the most part, people on average spend more time with television and film characters than they do with their own families,” fellow summit co-founder Heather Fipps said, tellingly adding “We are activists operating within the entertainment industry. The entertainment industry is hypocritical. It hasn’t done enough.”

The climate crisis is an appropriate topic for the movie industry in that it is fictional. Unfortunately, the poverty and tyranny that leftists increasingly exploit the global warming hoax as a pretext to inflict are quite real.

Watch summit keynote speaker Jane Fonda integrate the hoax into the larger liberal narrative while wallowing in her hatred of white men:

America continues to pay a steep price for the failure to try and execute Hanoi Jane for treason during the Vietnam War.

On a tip from R F.