Category Archives: Art

Vandalized Charlie Kirk Mural Restored

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Pop Culture (aka Alexandro Gregoria) painted an excellent mural of Charlie Kirk on the wall of Fernandez Grocery Store in Edinburg, Texas. Moonbats were quick to deface it:

The mural, located on a private property in downtown Edinburg, showed Kirk with a quote stating, “Will we change the fate of this nation, or will we let it remain in shackles!”

Now, the mural is vandalized with a quote by Kirk saying, “We made a huge mistake when we passed the Civil Rights Act.”

The latter quote proves to the satisfaction of moonbats that Kirk was a racist and therefore deserved to be murdered.

Pop Culture promptly restored the mural:

Sadly, he will have to keep coming back. It was not just a lone LGBT terrorist who killed Charlie Kirk. Leftists throughout the country have made themselves ex post facto accomplices by attacking his memory.

We build, they desecrate and destroy, we rebuild. That is the story of civilization vs. leftism.

Posted in Art

British Heritage Purged From 10 Downing Street

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Nothing better illustrates societal suicide by moonbattery than art. Holland went from Rembrandt to Willem de Kooning in only 3 centuries. No one better personifies societal suicide than British Prime Minister Two-Tier Kier Starmer. So this story should come as no surprise:

Starmer has removed scores of historical artworks from 10 Downing Street and replaced them with objectively awful drawings in the name of ‘diversity’.

The works Starmer ordered pulled down as part of the cultural purge include portraits of William Shakespeare, Winston Churchill, William Ewart Gladstone, Margaret Thatcher, Sir Walter Raleigh, and past British monarchs including Elizabeth I.

Here’s what displaces British heritage and good taste:

Among their replacements are Altar, a scene from the 2023 Falmouth Reggae Festival in Cornwall by Denzil Forrester.

Other paintings include All Things Being Equal, by the Nigerian abstract artist Nengi Omuku, which ’employs the human body as a medium to convey internal experiences’ by ‘using oil paint on strips of Sanyanan indigenous fabric from pre-colonial Nigeria’.

Then there is Almond Clasp by the British-Ghanaian Lynette Yiadom-Boakye, who specialises in ‘brooding portraits of Black life’, and Still (III) by Christina Kimeze, who currently has an exhibition ‘inspired by the resurgence of roller skating in Black communities’.

By now we are almost used to gagging on woke virtue signaling. But this isn’t just a publicity stunt. The residence is not open to the public. Starmer…

…described the Thatcher portrait as “unsettling” and remarked that he did not want to be stared down upon by a painting.

At least he knows enough to feel ashamed of himself.

Historically speaking, the garbage is to art what Starmer is to a British leader:

On a tip from Franco.

Darwin Drag

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The campaign by left-wing artists to impose LGBTism on the animal kingdom extends beyond glorifying hyenas to an attack on Charles Darwin:

Darwin sighs. “I kept a secret about the queer animal queendom,” he confesses. He looks a little off: his face is doughy and pallid; he seems forlorn as he rocks back and forth in an armchair. “Because I was afraid of being cancelled by the Victorian establishment.” Moments later, he is instantly transported from his chair and what appears to be a private members’ club, to a brightly coloured coral reef. And outfitted in a glorious clownfish-inspired gown.

A moonbat might describe the outfit as fabulous.

This is the beginning of Japanese-Sāmoan artist Yuki Kihara’s most recent video, Darwin Drag (2025). For more than two decades, her multidisciplinary output of photography, performance, moving image, sculpture and archival research has sought to interrogate colonial visual-culture and dismantle the historical Western gaze cast on the bodies and sexuality of Indigenous peoples in the South Pacific. Recently, she has also looked to the intersection of gender-based and racial prejudices, resource extraction and the human impact on the environment around the South Seas and, more broadly, the Pacific Ocean.

Kihara diagnoses normality as a disease and places it within the context of intersectional moonbattery:

“Cisgender and straight people also suffer from heteronormativity, and these gender norms were secured by colonialism, imperialism, religion and the patriarchy.”

Moonbats inflict LGBTism on children. Why not on fish?

In Darwin Drag, the eponymous British biologist (played by Kihara, who wears extensive prosthetics for the role) is given the opportunity to reflect on omissions regarding the variety of sex traits catalogued in On the Origin of Species… In the video, drag queen-cum-fairy fishmother BUCKWHEAT (aka Lealailepule Edward Cowley, a collaborator and professional drag queen working in Aotearoa New Zealand) takes Darwin under her fin, and together they travel a coral reef, exploring several fish species that exhibit sequential hermaphroditism (ie they can change sex).

If fish can be said to exhibit hermaphroditism, lefties have evidence at last that men can be women and that sexual perversion is natural.

There’s a good dose of cheeky subversiveness in Darwin Drag, which upends the conventionally serious, observational approach of the television nature-documentaries that we are accustomed to with a disco-soundtracked drag aesthetic.

Again we see that anything subverted by moonbattery first becomes farcical before it is destroyed.

Kihara’s ethos is to “look at the natural environment from an Indigenous queer perspective.” That’s why the liberal establishment promotes her with laudatory feature articles.

On a tip from Mike B.

Moonbat Artist Draws Inspiration From Hyenas

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Under moonbattery, everything is upside down, backward, and inverted. Healthy people admire eagles and lions. The sort of moonbats the media promotes in steeply declining South Africa admire hyenas:

They are often disparaged as ugly, sly and cruel scavengers but for South African artist Hannelie Coetzee, hyenas are symbols of female power and the normalisation of queerness.

The walls of her studio in the university district of downtown Johannesburg are covered in drawings in ink and rooibos tea of the sloped-back carnivores, her heroines of the bush. …

[T]he animal is also represented in sculptures Coetzee fashions from scavenged materials.

Scavenged materials are appropriate. Hyenas are to lions what vultures are to eagles.

Coetzee says she addresses the hyenas with which she identifies “from an ecofeminist perspective.” Endearingly for moonbats, they engage in behavior that has been portrayed as nonheteronormative.

She was born into a white family that was “on the wrong side of apartheid”, conservative and homophobic.

Having left all that behind her, she embraces her true family, queer-friendly feminist hyenas.

Previously, Coetzee was known for “ecological installations such as public urinals watering plants” — another appropriate choice of material.

According to her website,

“I am making a selection of queer creatures for this body of work to share how observing them, scientifically, contributes to the normalisation of non-heteronormative sexualities from natures [sic] perspective.”

Art isn’t about art anymore, if only because producing good art is hard. Now art is about moonbattery.

Speaking of lions and hyenas, countermoonbats may find this uplifting:

On a tip from Mike B.

Displaying Starving Animals as Art

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Mix together left-wing sanctimony, imported Third World savagery, immigrant ingratitude, and the lunacy of an art world rotted away by moonbattery. Behold the result:

Artist Marco Evaristti opened the “And Now [You] Care?” exhibit on Friday in Copenhagen to “wake up the Danish society” to the cruel treatment of factory-farmed pigs in the nation that is one of the world’s largest pork exporters.

To make his point, the native Chilean constructed a cage of hay and shopping carts, trapping a trio of adorable piglets inside with the express purpose of allowing them to starve to death.

You would think Denmark would have animal cruelty laws that might be applied to the so-called art exhibit. But then, you would think if Evaristti doesn’t approve of the way farming is conducted in Denmark, he would go back to Chile.

Fortunately, a 10-year-old girl found out about this and raised a stink that resulted in the piglets being stolen so that they did not have to die horribly for the sake of Evaristti’s virtue signaling.

On a tip from Steve T.

Celebrating Kwanzaa With Blasphemous LGBT Art

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Kwanzaa serves the War on Christmas by providing a more politically correct alternative holiday. It also helps raise the profile of subpar but highly woke artists:

Rare artworks of a queer black Jesus and a black gay church family are presented here along with new books and other black LGBTQ resources in honor of Kwanzaa.

Hard to top that for intersectionality.

A black Christ welcomes LGBTQ people in “Jesus for All” by Andrea Noel, an Afro-Caribbean artist based in Baltimore. Her Jesus expresses queer solidarity through bright rainbow colors that stream from the head of Christ. The rainbow rays include LGBTQ symbols: linked female signs, linked male signs and a transgender symbol.

Presenting “Jesus for All.”

“Neither” shows a dark-skinned Jesus who is male on one side and female on the other in the style of the Hindu deity Ardhanarishvara. He/she has a rainbow halo and holds a transgender symbol.

Presenting “Neither.”

This one is timely, in light of the sentencing of Atlanta’s William and Zachary Zulock:

“Bless This Family” shows a black gay couple as gospel singers in choir robes. They are holding hands in front of a stained-glass window with their children in their arms. The models for the painting are Terrell and Jarius Joseph of Atlanta and their two-year-old twins Ashton and Aria. Terrell and Jarius are a married couple and “social media influencing brand” who blog about gay parenting.

Presenting “Bless This Family.”

Art doesn’t have to be good. It just has to promote moonbattery.

On a tip from Mike B.